Latest Music

The Wound Is Not the Body

B Dolan

In the aftermath of an emergency spine surgery that radically altered his perspective and body, B. Dolan emerges after a four year hiatus from touring and releasing LPs with a new collection of songs, a new stage show, and a harrowing new story to tell.

Written during COVID lockdown and his quarantined procedure and recovery, "The Wound is Not
In the aftermath of an emergency spine surgery that radically altered his perspective and body, B. Dolan emerges after a four year hiatus from touring and releasing LPs with a new collection of songs, a new stage show, and a harrowing new story to tell.

Written during COVID lockdown and his quarantined procedure and recovery, "The Wound is Not The Body" finds the emcee's stark and confessional lyrics winding through 9 new rap songs littered with strange characters, pandemic fatigue, autobiographical thoughts on hip hop, living and aging, and a newly forged resolve.

Production from Ant, HEBL, Small Professor, Widowmaker and Dolan himself provide a soulful and minimalist backdrop, while B. Dolan gets some of the most carefully crafted bars of his life across in an unhurried, confident fashion. Aside from impeccable guest vocalist Nya Trysha who adds sung vocals to two songs and Yah-Ra of Planet Asia who lends some spoken bars, the album is notably devoid of features. The emcee vocalist is front and center for this one, and the songs feel like self-contained films about moments, impressions and memories.

"The Wound is Not The Body" features a narrator writing alone in recovery, sounding like he and his work have been torn down and rebuilt from the ground up.

The album is mixed by DS3K and mastered by Daddy Kev. Available direct from B. Dolan or via Symphonic Distro (US) and Speech Development Records and The Orchard (EU).
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Fused - Selected Remixes from the Discord Community (2022)

B Dolan

A compilation of some of my favorite submissions through our Discord server's ongoing remix competitions! To join or get in touch with this community of producers, head for the #producers-channel after accepting this Discord invite: https://discord.gg/mbupBQ4KJC

I'm still tracking down a few remixes and will update these album credits and
A compilation of some of my favorite submissions through our Discord server's ongoing remix competitions! To join or get in touch with this community of producers, head for the #producers-channel after accepting this Discord invite: https://discord.gg/mbupBQ4KJC

I'm still tracking down a few remixes and will update these album credits and tracklists with more info on where you can hear more from each of these producers. I also might add future winners to this compilation because ... I can?

Also, I know. I'll get you some new music soon. Unless you subscirbe on Patreon in which case you're already enjoying the new music.... but I digress.

Shout to the whole producer community and everyone who's submitted work to these contests. They've certainly kept me inspired and hearing old work in new ways during this weird period of isolation... also it's been great to watch people develop their craft over time. Here's to many more chaotic live reaction streams.

<3

Producers:

* Danny9Lives https://soundcloud.com/danny9lives

* Diver Dan https://soundcloud.com/diver_dan

* I.mptry https://soundcloud.com/impty

* Digital Monster https://soundcloud.com/digitalmonster

* 80Hrtz https://soundcloud.com/80hrtz

* Loki https://soundcloud.com/lokipaw

* Jon Wheeler https://soundcloud.com/frankythefly/from-the-vault

* G*dawful https://soundcloud.com/godawfulmusic

* DJ Mayonnaise https://soundcloud.com/dj-mayonnaise

* Kosame https://soundcloud.com/kosame-tatsu/

* Oblio https://soundcloud.com/aaronfowler
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We (2020)

ELIGH x B. DOLAN

Eligh invited me onto this song awhile back for his Patreon subscribers, and someone mentioned it to me more recently. I contacted him to see about a wider release during the start of the pandemic, and we ended up on the phone during the Uprising in Minneapolis, talking through this moment and what it demands of us as citizens and humans.

Timing
Eligh invited me onto this song awhile back for his Patreon subscribers, and someone mentioned it to me more recently. I contacted him to see about a wider release during the start of the pandemic, and we ended up on the phone during the Uprising in Minneapolis, talking through this moment and what it demands of us as citizens and humans.

Timing being what it was, we decided to wait for the next BC Friday to release "WE" in support.

100% proceeds of this song will be donated to BLACK VISIONS COLLECTIVE MINNESOTA. You're welcome to pay what you want for the download ($4 min) and we'll announce totals and make a donation next week.

If you're after new cloth merch, we've re-pressed "MAKE RACISTS AFRAID AGAIN" and "FILM THE POLICE" gear. Facemasks / hats / hoodies now shipping. We're forwarding 100% profits from those sales to #RESTORENORTH, a fund to rebuild black owned communities and businesses in North Minneapolis.

Shop: https://TinyURL.com/MRAASFR

Donate/Share the Fund to #RestoreNorth: https://giving.onecause.com/public/02ad4737-2285-4ad2-91c6-95cd66b423bf/fundraisers/c60e5030-69ce-4853-8b11-4727da5054ad/donate

Read More about / Follow BLACK VISIONS COLLECTIVE:
https://www.blackvisionsmn.org/
https://twitter.com/BlackVisionsMN

Artist Links:

https://www.Patreon.com/Eligh
IAMBDOLAN.COM

Beat by Eligh
Artwork by @damnselene
https://www.instagram.com/damnselene/

Scratches by Johnny Crump!

Special thanks to Dani Winns & 80HRTZ.

In conclusion,
#BlackLivesMatter
and today is the perfect day to arrest the cops who killed Breonna Taylor.
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  1. We (2020)

This Was Supposed To Be Fun (2019)

Epic Beard Men, B. Dolan, Sage Francis

This Was Supposed To Be Fun dropped on all streaming and digital services on March 29, 2019. Physical versions of the album (Colored Vinyl LP, CD, Cassette) can be ordered now at https://www.strangefamousrecords.com/news/twstbf/

This Was Supposed to Be Fun, the debut LP (and second official offering) from EPIC BEARD MEN, is an indie-rap tour de
This Was Supposed To Be Fun dropped on all streaming and digital services on March 29, 2019. Physical versions of the album (Colored Vinyl LP, CD, Cassette) can be ordered now at https://www.strangefamousrecords.com/news/twstbf/

This Was Supposed to Be Fun, the debut LP (and second official offering) from EPIC BEARD MEN, is an indie-rap tour de force by two of the underground's finest; SAGE FRANCIS and B. DOLAN. This album knocks. It parties with disreputable outlaws in truck stops. It blends the classic sounds of breakbeats and timeless drum machines with soul grooves and sub bass. Guitars, violins, and a goddamn brass band have sat in before the party's over. On the vocal side of things, more than a few lyrical heavyweights drop in to take their turn on the mics.

SLUG of ATMOSPHERE joins the gang in some NC-17 fun, as Sage and B. are soulfully backed by BLUE RASPBERRY (Wu-Tang Clan) on the road-noir tale "Pistol Dave". ELIGH of LIVING LEGENDS and South African newcomer YUGEN BLAKROK contribute blistering verses, while New Orleans Bounce legend Vockah Redu, vocalist Kathleen Stubelek of Circle Takes the Square, and San Antonio upstart Worldwide contribute brilliant supporting turns.

Throughout 50 minutes of intricately produced rap music, the duo of storied rapper/poets wander freely and set fires like the latchkey kids they once were. This Was Supposed to Be Fun, but that doesn't mean either emcee has shied away from their signature blend of the personal and political; topics range from the absurd to the unshakably true. EBM are two rap greybeards who aren't afraid to swing freely from dead-serious to wryly hilarious.

“Hedges”, the first single, is a haunting character study in suburban alienation and the collapse of the psychic bonds that used to constitute the great American neighborhood. Sage and B take turns spitting the chorus, like they’re shouting across empty, manicured lawns. “Man Overboard” is the album’s ironic thesis statement, maybe a metaphor for America itself. The topical track isn’t exactly about the VIP Fyre Fest experience, but it’s about that kind of thing: You were sold a bill of goods. You expected a private island, a luxury jet, a view of the beach. Then the skies turned dark. The millionaires took the lifeboats and left. Instead of a sunny lagoon, you got dive-bombed by seagulls, rained on. You paid for Club Paradise; you got Lord of the Flies. The “Sand Dunes” are not a tropical beach or a hip-hop singles cruise, for fuck's sake. They’re the Sand Dunes out in the woods, past the Pet Cemetery. The sketchy kind of unwatched all-ages party spot where rival warlords go to fight.

Hailing from the industrial outskirts of Providence, Rhode Island, both artists are walking hip-hop vaults who fiddle with esoteric knowledge over hypnotic, sprawling sample compositions. For well over a decade, no matter how many tours they survived or solo releases they dropped — more than 20 between the two, depending how you count ‘em — the members of this dream team and their DIY Econoline ethic endured a certain outsider status in the rap world. Last year’s debut EP, Season 1, poked fun at that label, while still delivering a sublime buckshot blast of political commentary, interpersonal dispatches, and healthy introspection. Now the joke isn’t so funny anymore.

Epic Beard Men rap and produce like keepers of the flame. They've clearly spent a few thousand hours excavating the crates during the creation of the album, fusing the treasures they've unearthed into the kind of dense hip-hop SONGS you haven’t heard much of since the sample-happy days of De La. TWSTBF is filled with sharp, satirical, bombastic edutainment, writ large in neon bubble letters for all the world to fuck off to.

This Was Supposed to Be Fun plays like a dark Buddy Comedy gone spectacularly sideways: the mighty Epic Beard Men are back in the barber chair, fuckin’ up your market share. You can’t tell them shit. The chill is gone. The chill was never here.

https://StrangeFamousRecords.com
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Season 1 (2018)

Epic Beard Men (Sage Francis & B. Dolan)

Physical versions of the EP on Galactic Blue-and-Orange Colored Vinyl, limited edition Phaser Beam Glitter Cassette, or Autographed CD NOW at StrangeFamous.com

PLAY the EPIC BEARD MEN WEB GAME at EpicBeardMen.com!

After a decade of sharing stages and crafting collaborations in the studio, real-life rap BFFs SAGE FRANCIS and B. DOLAN have finally
Physical versions of the EP on Galactic Blue-and-Orange Colored Vinyl, limited edition Phaser Beam Glitter Cassette, or Autographed CD NOW at StrangeFamous.com

PLAY the EPIC BEARD MEN WEB GAME at EpicBeardMen.com!

After a decade of sharing stages and crafting collaborations in the studio, real-life rap BFFs SAGE FRANCIS and B. DOLAN have finally caved to years of fan pressure to form an official group: EPIC BEARD MEN. The super-duo embraced the absurd name as a reminder to themselves that, while they tackle a lot of difficult subject matter in their solo work, this group’s mission boils down to one thing: “This is supposed to be fun, for fuck’s sake.”

Arriving with a playable, Streets of Rage-style web game to accompany it's 16-bit funk and lyrical savagery (available at EpicBeardMen.com), "FIVE HEARTS" is the lead single from "Season 1". The first offering of the year from EBM finds Sage and B over infectious production from Le Parasite, killing it in 2-player mode while reminiscing on a childhood wasted playing 'goddamn video games' and an adulthood with too few magical lakes. By the time the track shifts into full chiptune mode and bags another castle, the newly-minted duo have changed the high score. FILL HER UP!

Strange Famous Records released their “WAR ON CHRISTMAS” single for free last December as a teaser of what the team has in store for the new year, and made it crystal clear that these two are not just here to discuss personal grooming; The EPIC BEARD MEN are gunning for a spot among your favorite partnerships in music. The stockpile of songs they’ve been meticulously obsessing over for last 2+ years feature Francis and Dolan tackling a vast array of concepts and trading off some of the most sardonic, punchy, and fun lyrics you’re likely to hear in 2018.

The “SEASON 1” EP is stacked with a signature blend of dusty breaks and absurdist lyrics, infectious grooves and slapping snares, plus the effortless rapport of two of indie rap’s best passing the baton back and forth with the only other emcee capable of running this rap race at such a breakneck pace. EBM’s full-length debut album is slated to drop in October. In the interim, fans can expect videos, remixes, social media meltdowns, and lots...’o...touring.

Keep up with the adventures of the Epic Beard Men at:

www.EpicBeardMen.com
www.StrangeFamousRecords.com
www.Twitter.com/EpicBeardMen
www.Facebook.com/EpicBeardMen
www.Instagram.com/EpicBeardMen
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The House Of Bees Collection (2009-15)

B. Dolan, Buddy Peace

The "House of Bees" mixtape series, released in between my official albums, ended up 'housing' some of my most popular songs to date. Released outside of the record label / distributor system, we were able to sample recklessly. The result speaks for themselves.

Volumes 1, 2 & 3 are now all out of print in their original CD format, with
The "House of Bees" mixtape series, released in between my official albums, ended up 'housing' some of my most popular songs to date. Released outside of the record label / distributor system, we were able to sample recklessly. The result speaks for themselves.

Volumes 1, 2 & 3 are now all out of print in their original CD format, with relatively few remaining copies anywhere. Pressing that many new CDs also seems like a fools errand in 2021, with no tours scheduled anytime soon.

A year or two ago I started working on a compilation or 'best of' the original songs on those mixtapes, designed by Carl Sutton (who did the original HOB2 cover). I'm excited to announce that thanks to Bandcamp's new vinyl campaigns, it looks like we'll get to give this a try with relatively little cost up front.

Also, Buddy Peace being the lunatic that he is, he's remixed two entire LPs of mine, after asking me to send him the acapellas. His "Fallen House, Sunken City" remix LP has been a fan favorite for a lot of years, and I was equally blown away by the "Kill the Wolf" remix he sent me recently.

ASAP, I'll be putting this forward as a Bandcamp vinyl campaign, with an option to purchase the deluxe package that'll contain cassette copies of both remix LPs. Hopefully we hit our funding goal and the vinyl goes into production.
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Fallen House, Sunken City (2010)

B Dolan

Get "Fallen House" on Vinyl LP & CD from Strange Famous at store.strangefamousrecords.com/collections/b-dolan

Strange Famous consigliare B. Dolan returns for 2010 with "Fallen House, Sunken City" produced entirely by ALIAS. Having already established himself as a master storyteller, this time Dolan presents us with a full-throttle, unabashed,
Get "Fallen House" on Vinyl LP & CD from Strange Famous at store.strangefamousrecords.com/collections/b-dolan

Strange Famous consigliare B. Dolan returns for 2010 with "Fallen House, Sunken City" produced entirely by ALIAS. Having already established himself as a master storyteller, this time Dolan presents us with a full-throttle, unabashed, boombap hiphop record. Joined by legendary beatsmith Alias behind the production board, B. Dolan's aggressive delivery is accentuated by a special brand of bass-heavy breakbeats, while the tailor made musical backdrops assist in the mood of impending doom. Guest appearances by P.O.S., Cadence Weapon, Providence's "What Cheer?" Brigade, and Buddy Peace round out the tracklist, as SFR and B. Dolan set the decade off with a demolition charge.
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Kill The Wolf (2015)

B Dolan

"Kill The Wolf" is avalaible on SIGNED 2xLP Blood-and-Bone Colored VINYL, CD, and limited edition bloody red CASSETTE from SFRstore at sfrstore.myshopify.com/collections/kill-the-wolf

B. Dolan's latest record is the self-produced "KILL THE WOLF", a sweeping, powerful opus five years in the making. The album reinforces Dolan's status as a complex
"Kill The Wolf" is avalaible on SIGNED 2xLP Blood-and-Bone Colored VINYL, CD, and limited edition bloody red CASSETTE from SFRstore at sfrstore.myshopify.com/collections/kill-the-wolf

B. Dolan's latest record is the self-produced "KILL THE WOLF", a sweeping, powerful opus five years in the making. The album reinforces Dolan's status as a complex lyricist and introduces him as a ambitious, versatile producer, dedicated as ever to concept and vision over fleeting hip-hop trends.

This sophomore studio effort on STRANGE FAMOUS RECORDS / SPEECH DEVELOPMENT features a supporting cast of talent from a wide range of musical backgrounds, including AESOP ROCK, BUCK 65, ALIAS, CECIL OTTER (Doomtee), KATHLEEN STUBELEK (Circle Takes the Square), DS3K, BUDDY PEACE, and the late DAVID LAMB (Brown Bird).

It would be easy for an album to go astray amidst such varying styles, but Dolan stays in firm command as the expert conductor, driving the album's layered and visionary sound. "KILL THE WOLF" sets out with a goal of demolishing the boundaries of what was previously thought possible in a B. Dolan record; bringing the best techniques from his catalogue into a new era of production value by fusing live guitars, analog synths, violins and upright bass with formidable vocals and intricate lyrics.

Five years after shaking the foundations of underground rap with his "Fallen House, Sunken CIty" LP, B. Dolan emerges from the earth, battle-tested, clear-eyed, and sharper than ever.

The time has come to Kill The Wolf.
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The Failure (2008)

B Dolan

"As I set down these notes on paper, I'm obsessed by the thought that I might be the last living man on earth... Writing down my daily life, I tell myself I shall preserve human history between the dark covers of this little book."

For over twenty years now, I've been making records in a studio I call the Fallout Shelter. Back in 2008, there was
"As I set down these notes on paper, I'm obsessed by the thought that I might be the last living man on earth... Writing down my daily life, I tell myself I shall preserve human history between the dark covers of this little book."

For over twenty years now, I've been making records in a studio I call the Fallout Shelter. Back in 2008, there was a hulking upright piano I salvaged from some barn. It was badly out of tune, but the lowest note felt like a bomb dropping when played late at night. It became the first sound on the record.

The project was never finished correctly, as you probably know. I ended up piecing the fragments of it together while talking to Ben (a text-to-speech program on my badly overworked computer). The computer that crashed frequently back in 2002, when I'd just returned to Providence from NYC. That was before the piano, even... the year I met Sage Francis and my wife Desarae at the Providence Poetry Slam. Prior to that I'd been in the New York underground where I started performing, trying to make sense of the music industry. I encountered the commercial music scene in the form of Def Jam, Rawkus and Roc-a-fella affiliates. They all wanted to know if I could rap like Eminem. The poetry scene was even more full of preening hacks and gatekeepers. I reacted by leaving the scene. Moving out here. Starting to build this place...

It took years to learn how to record that piano. Blindly experimenting with music software. Recording my own vocals in bathtubs. A million bad mixdowns. Recording Sage in my unlit closet with a sock over the mic. Distortion on everything. Mentally I had rejected everything that came from Slam Poetry and commercial music. None of it reflected the ongoing apocalypse. None of it depicted the ugliness and brutality I had experienced. As the years passed and the stillness of the shelter closed in, awful creatures came to visit me. They wanted to leave crowds in shock and silence. They wanted to splatter themselves with blood and clown makeup and scream their pain into the void.

A friend named Brendan "Alias" Whitney came into my life at that time, and gave me some nightmare-machine instrumental canvases. Another talented musician and singer named Jim Diotte would feature on nearly every project I ever made thereafter. Together we made a record that was truly for no one. I eventually learned to use the text-to-speech program in a sort of trance, and Ben came to life. Our relationship became strained and contentious. We grew apart. I soon realized it was him or me. Around this time I fell in love with a cockroach.

14 years after it's initial release, I've taken another stab at making the album. Enclosed you will find the result. I can't shake the feeling that it still needs some work, and has ultimately failed. The pandemic has taken it's toll. My body is a monument in ruins, and Europe is once again at war. The Falco Brothers continue to stalk the earth, but we are still here for a little while longer. Apologies to whoever finds this record. Rest assured it was not a success. In fact, the beauty has always been the attempt, while facing certain defeat.

Thank you for listening,
B"
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"Vault" - Original Motion Picture Soundtrack (2021)

B Dolan

B. Dolan and collaborators soundtrack a heist with vintage sounds on the Vault score
by Jack Riedy

Experimental hip-hop artist B. Dolan and his collaborators emulated vintage Quincy Jones in spirit and sound on the score to the 2019 heist film Vault, to be released on April 2, 2021. For the true story of the 1975 Bonded Vault heist in Providence,
B. Dolan and collaborators soundtrack a heist with vintage sounds on the Vault score
by Jack Riedy

Experimental hip-hop artist B. Dolan and his collaborators emulated vintage Quincy Jones in spirit and sound on the score to the 2019 heist film Vault, to be released on April 2, 2021. For the true story of the 1975 Bonded Vault heist in Providence, RI, Dolan assembled elite session musicians in Brooklyn to record funky instrumentals with vintage technology to match the period. Now available for the first time, Vault's music is a cinematic collection of grooves reminiscent of Isaac Hayes’ "Shaft" or Jones’ "The Hot Rock".

Vault progresses through the highs and lows of the heist, rooted in the sounds of the mid-70s. The curtains rise with “Main Title,” full of flute fills and splashy organ riffs. “Padrino’s Theme” and its reprise build menace out of a recurring five note figure that passes from keys to strings to horns, until the drums finally drop in for dueling sax and wah-wah guitar solos. “Carlton Fucking Fisk” is a song made for strutting, with clavinet, guitar grit, and Bootsy-esque bass giving way to sci-fi pings. On the spare “Call Me When You Can,” organ and stand-up bass sketch a melody over gospel chords. The album closes with its only vocal track “Your Close Friend,” a bluesy acapella from Nya Trysha that sums up the album in Biblical allegory that soundtracks the film’s post-credits scene.

Dolan has built a dedicated following since his first album in 2008, while simultaneously pursuing other writing projects, including co-writing the script that became Vault. The film’s producers heard Dolan’s music while he was visiting the set, and he agreed to score the film as long as he retained the rights to his compositions.

Dolan and a team of trusted arrangers built songs up from demos written to match looped scenes from the film. Once the film was finalized, “I spent the entire project's budget on hiring musicians and engineers, taking the opportunity to try out all of the experimental stuff we'd ever dreamed of in terms of aging recordings by running them to tape, using original instruments, and hiring musicians with crazy chops,” Dolan says.

Dolan and conductor/engineer Chris Gilroy recorded an ensemble in Brooklyn, tracking 80 minutes of music in a week in 2018. “I was surprised to be in the room with Bruce Springsteen and Elvis Costello's horn players, singing shit to them that they then arranged onto scores and played effortlessly,” Dolan says with a laugh.

The Vault soundtrack will drop for digital and vinyl purchase through Bandcamp on April 2, with a wide release to streaming services in June. An even more limited edition "samplepack" version of the score will include drum breaks on both sides of a signed and numbered 45 and a download to over 50 stems from the soundtrack, since the music is ripe for re-working by future crate diggers. “It's my hope that this score and the resulting breaks and samples will take on a life of their own by being released in that form,” Dolan says. Vault is the soundtrack to a lifelong artist realizing a specific vision - in vintage Cinemascope sound.
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